Wednesday, 8 January 2014

Professional Practice September - January 2014


The Brief


Professional Practice – Semester 1

Attempting and Refining New  Practices
 This module is delivered in two parts.

Part 1
Practitioner Study
Using guidance and material from lecture and seminar programme, develop a blog investigation into a range of creative practitioners that you are initially unfamiliar with. Develop this as a ‘branched’ investigation with images, biographies and image evaluations. Discuss the functionality and usage of their work, and comment upon work that defines a new or changing role for photography in relation to other visual media.

Part 2
Practical Investigation
Identify processes, techniques or modes of working that are new to you and work on imagery production that develops, refines and combines these practices.

Work towards a professional quality portfolio of images that combines evidence of study and practice from both Parts ready for critique seminar at the end of the Semester.


Present – A range of professional prints in Seminar, not necessarily mounted along with your blog link.

Deadline – January Seminar 1 assessment week, date to be advised.



THE IDEA

I like the notion of developing my work in the area of Macro Photography, but how to choose a subject.  Some years ago I supported a teenage girl who was experiencing difficulty in accepting physical contact.  She had been sexually abused by her father's childhood friend (they met on their first day at school when they were 5 years old).  She had been emotionally blackmailed by her abuser/babysitter from the age of nine until she reached puberty at thirteen when she finally disclosed the sexual abuse, which she believed was her fault.  This man had damaged her cognitive functioning around her sexuality, as well as her body concept, sense of autonomy, self esteem and any ability to develop physical relationship with others of her choice.  He had told her that the only people who would want her were "dirty old men".  These are the common practices of sexual predators of young girls. The paedophile was convicted and imprisoned, but the family moved hundreds of miles away from their home in the hope of a new start.  

The girl at fifteen had a boyfriend who wanted to have a physical relationship with her, but she could hardly bear his touch.  She hated her body and did not want anyone to touch her, even her close family.  She knew she felt very differently from her peers, and could not see a way forward.  

In order to help her I took a Solution Focused Approach, and tried to change the way she saw her body.  Assuring her of the beauty of the human body and hers in particular I suggested that in private she examine closely and touch different parts of her body, e.g. the skin and hair on her arms, her hands and all joints, her hair, then legs, finger and toe nails, eyelashes, etc.  Later I suggested she look carefully at her different parts of her face, particularly her eyes and her mouth (open and closed) then her tongue and teeth.  She did this and we worked on this for weeks, with her reporting what she had discovered about her own body each week.  Later she examined larger parts of her body from all angles, including her breasts.  This was done in a very controlled way - her own control, which helped give a sense of self-direction and made her reconsider how she saw her body.

In a Cognitive Approach we also discussed how she saw her abuser and what she saw as her responsibility in the abuse, and gradually her perception of his actions changed, and her guilt reduced.  She was able to look at her body in a different and more positive way and to gain some autonomy.

What I would like to do in this project is to be able to take very beautiful marco images of parts of the body in her honour.  Many young people who have suffered similar sexual abuse have the same abhorrence of their bodies and I would like to be able to show them how beautiful a human body is. This project might form part of a therapy for those who work with children and young people who have been abused, and who have a negative view of their body (or who have body dysmorphia for other reasons) and this would be a new or changing role of photography.  

TUTORIAL WITH RP

Richard was very helpful in helping me to take my idea forward, suggesting that I consider photographers of macro images and research how to light macro images.  Richard advised me that a small sensor SLR camera would achieve a smaller object than a full 35mm sensor SLR camera, and suggested the college has a Canon 60 mm Macro lens, although I have a Tamron  90mm macro lens which I think will give me a large/closer object image as the greater the focal length the larger the subject appears in the image.  

Richard suggested I research the work of Jo Spence.


More importantly he suggested that I could produce "Body Landscapes" that were almost abstract  so the images could be both beautiful and interesting.  This will be a challenging project for me.

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